I wanted to do something a little different with this script. To this point in my comic making my focus had been on using dialogue and captions to tell a story. I’ve always found dialogue to be the part of writing that comes most naturally to me, but in my mind comics can be about so much more than just the dialogue. For Murphy’s Day I stripped all of that away to present a mostly silent script (the exception being the constantly ticking clock and buzzing phone). I wanted to create a short comic that would invite the reader to give it a second or maybe even a third look, and so I played with the space on the page too, counting down from 10 panels on page 1 to 1 panel on page 10. I’ll go in to more detail of why I wrote the script the way I did, and how the artist and letterer on the book managed to make it all flow together and improve on my script in a later blog post.